--- title: "Nathan Fielder and Lance Oppenheim's documentary You Can See Everything profiles Elizabeth Holmes in theaters this weekend" url: https://noti.group/nathan-fielder-and-lance-oppenheim-s-documentary-you-can-see/ language: en publisher: "Noti Group" section: "Entertainment" published: 2026-10-16T23:13:36.000Z updated: 2026-10-17T04:31:00.039Z id: dcac85f0-975e-4c38-9074-2e1595230c27 source: "The Hollywood Reporter https://www.hollywoodreporter.com/business/digital/you-can-see-everything-fielder-holmes-themes-showtimes-1236734072/" attribution: "Link to https://noti.group/nathan-fielder-and-lance-oppenheim-s-documentary-you-can-see/ and name Noti Group when you quote or summarize this story." --- # Nathan Fielder and Lance Oppenheim's documentary You Can See Everything profiles Elizabeth Holmes in theaters this weekend The release coincides with high-profile documentaries Mus k, The Social Reckoning, and Artificial that challenge the tech industry's dominant figures. A new wave of films is hitting theaters this weekend, capitalizing on the public's growing fascination with the tech industry's biggest names. Nathan Fielder and Lance Oppenheim's documentary You Can See Everything, which profiles Elizabeth Holmes, has already generated buzz among film enthusiasts following its earlier critical acclaim. The release coincides with other high-profile documentaries that have recently debuted in theaters, including Mus k, The Social Reckoning, and Artificial, all of which share a common theme of challenging the dominant figures shaping our digital lives. These films present an alternative perspective on the tech industry's impact, offering a critique of its influence over society and individual lives. As such, they can be seen as a form of collective pushback against the tech elite, who often present their solutions to perceived problems with a sense of infallibility. The filmmakers behind these movies are choosing to center figures from Silicon Valley, but it's not just about who they're featuring - it's also about how they're portraying them. This is evident in the meticulous way Musk's character is deconstructed in You Can See Everything. In Reckoning, Meta is depicted as exploiting people's emotions and divisions for financial gain. The film takes a critical look at the ways in which social media platforms like Meta can manipulate users. By highlighting this aspect, the filmmakers are bringing attention to the potential consequences of unchecked power. Luca Guadagnino's Artificial is another example of how these movies are taking on Silicon Valley figures. This drama follows Sam Altman's rise to prominence at OpenAI and critiques his business practices. The film shows how Altman convinced investors and employees that his goals were aligned with human values, only to reveal a more cynical reality. The portrayal of Ilya Sutskever in Artificial is particularly noteworthy. As an engineering prodigy who joined OpenAI and enabled the company's breakthroughs, he was initially assured by Altman that their work would be done responsibly and with humanity at its core. However, it seems this promise turned out to be false. The recent trend of films tackling big tech's influence has sparked a mix of emotions among audiences. Some may feel frustrated by the portrayal of safety concerns being ignored in favor of rapid growth and innovation. However, it's also heartening to see these issues being brought to light, despite initial promises of silence or suppression. This representation is itself a testament to the power of storytelling and its ability to amplify marginalized voices. Companies like SpaceX are increasingly relying on consumer adoption to drive their financial success. As Elon Musk's ventures continue to expand, so too does his influence over global events, as seen in real-time during the Ukraine-Russia conflict. In this context, films like Gibney's seem less about winning a war and more about exposing the underlying dynamics at play. Altman's reaction to the film's portrayal was telling, suggesting that he feared being accurately depicted on screen. The release of "You Can See Everything is just one part of a larger meta-drama unfolding between artists and Silicon Valley tech leaders. Tech executives had long believed that large language models (LLMs) would render professional writing skills obsolete. However, the emergence of films like You Can See Everything indicates that this may not be the case, as writers and creators push back against the notion that AI will replace human storytellers. As the filmmakers behind You Can See Everything push back against the notion that AI will replace human storytellers, it's clear they're not alone in their sentiment. Their counterparts in other projects are singing a similar tune, highlighting the limitations of relying on machines to create content. The people involved in these narratives seem to be united in their assertion that much of what they do cannot be outsourced to an algorithm. The emergence of these films suggests that Hollywood studios are taking notice and are now positioning themselves as champions of human creativity. This is a significant shift, especially considering the industry's history. Amazon's decision to drop Artificial was meant to silence dissenting voices, but it ultimately had the opposite effect, sidelining itself instead. The recent surge of films tackling anti-oligarchal themes and critiquing big tech has sparked a long-overdue reckoning in Hollywood. These movies are not just entertaining tales, but also serve as a form of social commentary that challenges the status quo. As Elon Musk himself noted, these films have the potential to course through the collective blood" and change societal views, settling a deep-seated grudge against big tech's dominance. This is evident in the success of films like 'Street Fighter', which is poised for box office victory, and the Elizabeth Holmes biopic, which is set for a strong launch. --- Source: [The Hollywood Reporter](https://www.hollywoodreporter.com/business/digital/you-can-see-everything-fielder-holmes-themes-showtimes-1236734072/) Published by Noti Group: https://noti.group/nathan-fielder-and-lance-oppenheim-s-documentary-you-can-see/